Lily Meyer
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Iraqi poet Faleeha Hassan's memoir War and Me, Mexican novelist Brenda Lozano's Witches, and Uyghur novelist and social critic Perhat Tursun's The Backstreets have a few broad commonalities.
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Mutt-Lon's The Blunder, Pina by Titaua Peu, and Thuận's Chinatown all come from different continents and deal, glancingly or in depth, with French colonialism.
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New translations of Juan Emar's Yesterday, Cristina Rivera Garza's New and Selected Stories, and Gabriela Alemán's Family Album offer a look at human nature — and adventures along the way.
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Jhumpa Lahiri mixes detailed explorations of craft with broader reflections on her own artistic life, as well as the "essential aesthetic and political mission" of translation.
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It's been rare for non-academic nonfiction to be translated into English — but that's beginning to change. These three books may be academic in the depth of their inquiries — but not in style.
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The protagonist of Clare-Louise Bennett's novel is a determinedly unfixed and unrooted person who marks time by which writers she has read.
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The novel is simultaneously wise and silly, moving and inscrutable. It is also indisputably working hard to be new.
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Novelist John Darnielle — also singer-songwriter with the Mountain Goats — has a hero who wants to honor the victims he's writing about but doesn't much like them.
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Kaouther Adimi's novel tells the real-life story of Edmond Charlot, the Algerian bookseller and publisher who witnessed his country's independence struggle — and famously discovered Albert Camus.