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  • Prime Minister Nawaz Sharif, who has promised to push back on the strikes, lodges a formal protest with a top U.S. envoy in Islamabad.
  • Revelations that the federal government is collecting massive amounts of data about telephone calls and Internet traffic has some people nervous that George Orwell's vision of Big Brother constantly watching them has come true.
  • Actor Nick Offerman could watch the John Wayne film The Quiet Man a million times. "It was my dad's favorite, and it quickly became mine," he says.
  • NPR's Bob Mondello reads an excerpt of one of the best submissions for Round 11 of our short story contest. He reads Beyond the Fence by Matthew Campbell of Salem, Mass.
  • Revelations this week that the National Security Agency has been running an extensive domestic surveillance program involving companies like Google, Facebook and Apple has caused many Americans to ask what's left of their privacy. Guest host Tess Vigeland speaks with James Fallows, national correspondent with The Atlantic.
  • Colorful, fake coral gives aquarium visitors an eco-friendly glimpse inside a reef. At the National Aquarium in Baltimore, a new reef exhibit presents an artistic challenge to the coral fabrication team.
  • Sean Benschop turned himself in Saturday, a day after police issued a warrant for his arrest. He faces charges in connection to the incident Wednesday that killed six people and injured more than a dozen.
  • In the Arab world's version of American Idol, a young singer from the isolated Gaza Strip is hitting the high notes of Palestinian hope. Supporters say a victory by Mohammad Assaf, a finalist in the competition, would be a victory for art, which has been long neglected in Gaza.
  • Sunday marks the one-year anniversary of the High Park fire northwest of Fort Collins, Colo. The blaze consumed 259 homes in the rural area, but due to insurance woes, money and time, only 10 households have finished rebuilding a year later.
  • Photographer Ajay Malghan takes familiar foods and makes them look foreign. He says it's a statement on genetically modified food, but if you want to just appreciate it as abstract art, that's OK too.
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